THE NEXT STAGE PROJECT
Jana Hicks
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Co-Artistic Director of TNSP

For Jana's website click here:

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JANA HICKS, a native of Texas, holds a BFA in dance from Southern Methodist University where she received the Meadows Outstanding Performer Award. While in Texas she danced with Dancers Unlimited Repertory Co., Citijazz, Meadows Repertory Dance, The Dallas Opera, and performed the works of choreographers such as Toni Beck, Eddie Burgess, Mathew Diamond, Judith Jamison, Bill T. Jones, Parker/Pucci, Ross Parks, Moses Pendleton of MOMIX, Bertram Ross, and Max Stone.

Following an invitation to apprentice with the Jose Limon Company, Jana moved to New York in 1990 and has since performed with a wide variety of companies and choreographers including Max Stone's E-Motion, David Storey Danceworks, Extended Dance Co., Sans Nemo Collective, Soundance Repertory, Verlezza Dance, Laurie DeVito & Dancers, Elyse Wright Dancers, American Dance Ensemble, Ariel Herrera's Fishmongers, Linda Nutter & Co., and Unconfined Movement among others. Jana was a member of The Kevin Wynn Collection from 1995 - 2005.
For 10 years, Jana was the Managing Director of Dance Space Center where she initiated the Foreign Student Visa Program among other programs. In collaboration with Max Stone she was Co-Director of NYDE from 1995 - 2001.

In NYC, Jana currently serves as a full-time faculty member at Dance New Amsterdam (formerly: Dance Space Center) and Steps on Broadway, and is Co-Artistic Director of The Next Stage Project (TNSP). In her capacity with The Next Stage Project, Jana conducts international repertory/choreography workshops which cumulate in self-produced concerts, and creates showcases presenting TNSP along with other contemporary artists and companies. Jana currently teaches technique class for the FSU in NYC Masters program and is also Company Manager for the Kevin Wynn Collection and for Johannes Wieland.

Jana's choreography has been commissioned by New York companies: Janessa Clark/Kilterbox, Stephanie Harris Dance Collective, Off Center Dance Theater, The Next Stage Project, New York Summer Dance Intensive, and regional companies: New Articulations (Arizona), Arts Magnet Repertory (Dallas), Houston Met (Houston), The Divine Project (New Hampshire), Mack Avenue Dance Company (Detroit), The Jordan Center for Performing Arts (Ohio), and Shenandoah University (West Virginia). International commissions include Fontys Dance Academy (Tilburg), Dimovi (Amsterdam), Portella Dance (Rio de Janeiro), Montreal Moves Dance Co. (Canada), Moga Dance (Japan), and Vlad's Dance Company (Toronto, Canada). Works have been showcased at City Center Studios, by City Center Ballet Arts' the 6th Floor, Dance Now at Joyce Soho, SWEAT, Unconfined Movement, the Evolving Arts Theater, Broadway Dance Center Performance Outlet, Steps on Broadway, and The Dance Gallery at the Ailey Citigroup Theater. Jana has taught Master Classes and Workshops in the US and abroad including Brazil, Belgium, Canada, France, Germany, Italy, Japan, The Netherlands, Norway, Sweden, Switzerland, Arizona, California, Colorado, Connecticut, Hawaii, Maryland, Michigan, New Hampshire, Ohio, Texas, and Virginia.

TEACHING SCHEDULE:

NEW YORK CITY (USA)

STEPS ON BROADWAY

Tuesday & Thursday: 6:00pm
Friday: 4:30pm
Sunday: 3:30pm

Click here for: Steps On Broadway

DANCE NEW AMSTERDAM
(formerly Dance Space Center)

Wednesday: 6:30pm
Tuesday & Thursday: 12:00pm

Click here for: Dance New Amsterdam

CLASS DESCRIPTION

Jana's classes can be described as highly physical and technical. The warm up focuses on the body as a whole and in motion, with emphasis on building a strong technique as a base to support freedom in movement. Following the warm up, dance phrases can be fast and percussive or lyrical and fluid, but always technically challenging.
"My goal in teaching is to use a movement language and style that allows dancers to explore and own their individual voice and develop expressive power of pure emotion and physicality. My philosophy in class is that dancers will enjoy their experience, improve and grow artistically when given not only direction, but also the freedom to be individual. I encourage my students to take the movement material and make it work for themselves, be creative, take chances, dance to their fullest, and most of all enjoy!"