Handpainted Victorian Glass Lamps and Porcelain by Marta Bacon
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Delicate Handpainted Lamps Are Shining Examples of Victoriana

Note:  This article about Marta appeared in the Los Angeles Times.  It is written by Valerie Orleans.

The ancient Greeks hung burning posts of oil from the ceilings and torches from the walls to illumniate rooms.  Later kerosene lamps were used to fill a room with brightness.  With the advent of electricity, lamps took on new shapes and forms, and provided more efficient means of lighting.  Yet there's still a charm to the old fashioned looks that graced the homes of bygone eras.

     It is the look of Victoriana that Marta Bacon of Fullerton tries to achieve when she is hand-painting her lamps and other china pieces.

     "My canvas is china and glass," she said.  "For me it's the best of both worlds.  I get the translucent look of watercolors, yet the paint moves like oil."

     Among Bacon's specialties are hand-painted lamps featured in a variety of Orange County shops and boutiques.  For her business, Marta's Artistic Expresions, she purchases handblown glass globes that she adds to existing brass or metal lamps.  Often she uses reproduction lamps with cherubs or flowers etched in the brass to complement the Victorian look she favors.  On the opal-white glass, she paints renderings of flowers or other colorful scenes.

     "Flowers are the most popular," she said.  "And roses and pansies seem to be the favorites.  While I will do a country-inspired lamp if asked, I prefer the Victorian look.  In fact, many of the lamps also have Victorian acccessories like dangling crystals that look like little prisms."

     Bacon got started in china painting about 25 years ago when she was given a hand-painted plate as a wedding gift.

     "I was very impressed and wanted to learn more about china painting," she said.  "I was always drawing and painting as a child and this was so beautiful and different that I wanted to find out as much as I could."

     This interest led to lessons and finally, an attempt to sell her work.  While she started out painting plates, she soon discovered her skill could be applied to lamps as well.  "Nobody was hand-painting lamps at that time," she said.  "So I took one of the lamps I painted to a local shop that specialized in gifts and collectibles.  The owner said he liked it, but there was just one problem.  He needed 10 of them.  I guess you could say that officially launched my career."

     After Bacon paints her designs on the glass, it must be fired a minimum of three times to preserve the paint and keep it from being damaged.

     Prices vary with the style of the lamp.  A small globe lamp (frequently referred to as a TV lamp or night light) sells for about $60.  Table lamps start at $150 and double globe lamps start at $250.  Hanging lamps or large floor lamps that are about five feet tall (with a globe that spans 14 inches) can cost up to $800.

     "I work with decorators who want lamps to complement wallpaper or curtains," she said.  "Often they have certain color schemes or floral prints that I match."

     While she paints, Bacon often uses the flowers as a guide.  For instance, on globes with roses, the flowers are often pictured lying on their side, so Bacon selects some of the prettiest blossoms and sets them down on a table or shelf so she can see how the roses bend or look when they're flat.

     Most of her work fits comfortably in Victorian designed rooms.  In fact, china painting was a popular pastime for women of that era.

     "The ladies then enjoyed china painting and needlework." Bacon said.  "Today we are coming to really appreciate these skills.  The Victorian look is becoming very popular, and you're seeing a revival of interest in some of the activities and entertainments that women of that time enjoyed."

     In addiition to the lamps, Bacon also paints other items as well:  vanity boxes, plates, vases, switch plates and jewelry.

     Although most of her lamps are electrically wired (a few are fueled by kerosene), Bacon believes people buy them for their beauty rather than their function.  She said she believes the lamps remind people of a grandmother's home or other places that hold special memories.

In fact, in some instances, she has customers bring antique lamps to her so she can add a glass globe.  "People still have the lamps but the globe may have been broken years ago," she said.  "Double globe lamps area challenge, because one of the globes may still be intact.  The trick is to match as precisely as possible the colors and look of the existing globe.  On other lamps, I'll paint and add the globe...or I can create a new globe if customer don't like the existing glass on their lamps."

     Work on the lamps can take anywhere from one week to two months depending on the detail and Bacon's schedule.

     "Even though I paint every day, it can take quite a while, because it's done by hand.  But I'm very lucky because I truly love this work, and it's something that's very special to a lot of people."

    For further information on handpainted lamps contact Marta Bacon at (714) 996-2952 or email martabacon@earthlink.net

 


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Lamp Restoration Project by Marta Bacon. Marta painted a new top to match the bottom.

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Handpainted tall vase with roses by Marta. 15" tall. $195 + shipping.

Copyright 2009 Marta Bacon

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Double globe Hunter Green background with ruby and pink roses handpainted by Marta. $450 + shipping

Marta Bacon Shines Through Her Rose-Painted Glass
The work of Marta Bacon is featured in the book Glass Painting For the First Time by Dorris Sorensen.  This article appears in the publication.
 
Marta Bacon is from the new generation of glass artists, carrying on the tradition of painters from the Victorian era.  Born in Los Angeles, California, Marta earned an Associate of Arts degree from Fullerton College.  She continues to take college-level art classes to help her grow as an artist.
 
     Presently, in addition to creating commisioned pieces, Marta teaches painting for SCE to at least 80 students on a weekly basis.
 
     "My canvas is glass," says Marta.  "For me it is the best of both worlds.  I get the translucent look of watercolors, yet the paint moves like oil."  Marta paints flowers or other scenes on hand-blown opal-glass globes.  Her painting is then fired at least three times so it becomes a permanent part of the glass.  Each piece of art is an original heirloom, signed by Marta.
 
     Marta says that most people buy her lamps for their beauty rather than their function.  She believes the lamps reminds people of a grandmother's home or other place that holds special memories.  Her work is featured in homes all over the world.
 
     Work on the lamps takes anywhere from one week to two months depending on the detail of the design and Marta's schedule.  "Even though I work every day," she explains, "it can take a while to finish a piece because it is all done by hand.  I am very fortunate because I love this work and it is something special to a lot of people."
 
Artists Find Creative Outlet In Glass Painting
 
The following article about Marta's glass painting classes appeared in the Walnut Highlander.  It is written by Esther Chou.
 
In Marta Bacon's glass and porcelain painting class, artists paint anything porcelain or glass, from gold-rimmed plates to inexpensive drinking glasses.
 
     They draw inspiration from a variety of sources, including pre-made patterns, picture books, even a floral-print paper napkin.
 
     The delicate flower petals, subtle highlights and muted colors they paint follow the style of an era hundreds of years ago.  But sometimes, the painters will stray from the set style and paint a giraffe or Chihuahua.
 
     The students who attend Bacon's class are relatively new artists who have found a creative and social outlet.
 
     Lydia Marquez, of Rowland Heights said  "It's keeping us from becoming couch potatoes," she said.
 
     Another painter, Mythily Vasudevan, said she finds the class therapeutic for her rheumatoid arthritis.  Some days, she said, the glass objects and brushes are hard to handle, but she has learned to live with it.
 
    On this day, Vasudevan, of Rowland Heights, the arthritis wasn't a problem.  "See my joints?" she asked, wiggling her fingers.  "I keep moving it."
 
     Students said their children are impressed by the work they have created.  Instructor Marta Bacon, of Fullerton, tells students that they're actually creating heirlooms.
 
     "My kids are so surprised and shocked to see that I have a talent to paint," Thompson said.  She said her son regularly buys her art books.  She has about 60 books now to inspire future works.
 
     "He buys pictures that he thinks I can paint,"  Thompson said. 
 
     Because the objects are fired in a kiln, the paint is permanent.
 
     New students usually start painting on inexpensive tiles found at home improvement stores.  From there, they can paint on jewelry boxes, pitchers, plates and lamps- anything porcelain or glass.  The students' artwork is on display twice a year at Mt. SAC and at the Los Angeles County Fair in Pomona.
 
     Though the style of painting is Victorian, the class has worldwide appeal.
 
     "With the painting, it's almost universal," Bacon said.  "It's quite international."
 
     In her class, Bacon has Russian, Hispanic, Indian, Chinese, Japanese students, who sometime speak their native tongues in addition to English.
 
     Some days after class, the students have a pot luck, sharing ethnic dishes and trading recipes.  The conversation ranges from gardening to apartment life to their children and grandchildren.
 
     "We meet a lot of nice people," Shubin said, "We all help each other."
 
      You can contact Marta by emailing her at martabacon@earthlink.net

Marta Bacon /2307 Bedford Drive/Fullerton, CA 92831 /714.722.4754