< Back Stravinsky's Topology Next >

Selected Bibliography and List of Scores Cited

Selected Bibliography

Babbitt, Milton. "Contemporary Music Composition and Music Theory as Contemporary Intellectual History." In Perspectives in Musicology, ed. Brook, Downes, Solkema, 166-67. New York: Norton, 1972.

Babbitt, Milton. "Remarks on Recent Stravinsky." Perspectives of New Music 2:2 (Spring/Summer 1964): 35-55.

Babbitt, Milton. "Stravinsky's Verticals and Schoenberg's Diagonals: A Twist of Fate." In Stravinsky Retrospectives, 15-35. Lincoln and London: University of Nebraska Press, 1987.

Bennighof, James. "Set-Class Aggregate Structuring, Graph Theory, and Some Compositional Strategies." Journal of Music Theory 31:1 (Spring 1987): 51-98.

Berger, Arthur. "Problems of Pitch Organization in Stravinsky." Perspectives of New Music 2:1 (Fall/Winter 1963): 11-42.

Boucourechliev, André. Stravinsky. Translated by Martin Cooper. New York: Holmes & Meier, 1987.

Brantley, John Paul. "The Serial Choral Music of Igor Stravinsky." Ph.D. diss., University of Iowa, 1978.

Buell, Timothy John. "Aspects of Stravinsky's Abraham and Isaac." Ph.D. diss., University of Pittsburgh, 1986.

Burde, Wolfgang. "Igor Strawinsky's Annäherung an die Reihentechnik." Mitteilungen der Paul Sacher Siftung 7 (April 1994): 18-21.

Clifton, Thomas. "Types of Symmetrical Relations in Stravinsky's A Sermon, A Narrative, and A Prayer." Perspectives of New Music 9:1 (Fall/Winter 1970): 96-112.

Cohn, Richard. "Properties and Generability of Transpositionally Invariant Sets." Journal of Music Theory 35:1-2 (Spring/Fall 1991): 1-32.

Courant, Richard and Herbert Robbins. What is Mathematics? 2nd ed. Revised by Ian Stewart. Oxford: Oxford University Press, 1996.

Craft, Robert. A Stravinsky Scrapbook 1940-1971. London: Thames and Hudson, 1983.

Forte, Alan. The Structure of Atonal Music. New Haven: Yale University, 1973.

Gauldin, Robert and Warren Benson. "Structure and Numerology in Stravinsky's In Memoriam Dylan Thomas." Perspectives of New Music 23:2 (Spring/Summer 1985): 166-185.

Gerhard, Roberto. "Twelve-Tone Technique in Stravinsky" The Score 20 (June 1957): 38-43.

Hyde, Martha. "Musical Form and the Development of Schoenberg's Twelve-Tone Method." Journal of Music Theory 29 (1985): 85-143.

Klein, Lothar. "Twentieth-Century Analysis: Essays in Miniature." Music Educator's Journal 54 (December 1967): 51-52.

Kohl, Jerome. "Exposition in Stravinsky's Orchestral Variations." Perspectives of New Music 18 (Fall/Winter 1979 & Spring/Summer 1980): 391-405.

Kostka, Stefan. Materials and Techniques of Twentieth-Century Music. Englewood Cliffs, New Jersey: Prentice Hall, 1990.

Kunstmuseum Basel & Paul Sacher Siftung. Stravinsky: Sein Nachlass. Sein Bild. Basel: Kunstmuseum Basel, 1984.

Mead, Andrew. "Pitch Class/Order Number Isomorphism Inherent in the Twelve-Tone System. (Part 1)." Perspectives of New Music 26:2 (Summer 1988): 96-163.

Mead, Andrew. "Tonal Forms in Arnold Schoenberg's Twelve-Tone Music." Music Theory Spectrum 9 (1987): 67-92.

Mason, Colin. "Stravinsky's New Work." Tempo 59 (Autumn 1961): 5-14.

Moffet, Maureen Cash. "Stylistic Consistency in Three Choral Works of Stravinsky." Choral Journal 23:6 (1986): 11-14.

Morris, Robert D. "Class Notes for Atonal Music Theory." Rochester, New York: Eastman School of Music, 1991. Photocopied.

O'Connell, Walter. "Tone Spaces." Die Reihe 8 (1968): 35-67.

Payne, Anthony. "Requiem Canticles." Tempo 81 (Summer 1967): 10-19.

Perle, George. The Operas of Alban Berg, Volume Two: Lulu. Berkeley and Los Angeles: University of California, 1985.

Perle, George. Serial Composition and Atonality. 6th ed. Berkeley, Los Angeles, Oxford: University of California, 1991.

Roeder, John. "A Geometric Representation of Pitch-Class Series." Perspectives of New Music 25:1-2 (Winter/Summer 1987): 362-409.

Rogers, John. "Some Properties of Non-Duplicating Rotational Arrays." Perspectives of New Music, 7:1 (Fall/Winter 1968): 80-102.

Salzman, Eric. "Current Chronicle: United States, Princeton." Musical Quarterly 53:1 (January 1967): 80-86.

Spies, Claudio. "Notes on Stravinsky's Abraham and Isaac." In Perspectives on Schoenberg and Stravinsky. 2nd ed., 186-209. Princeton University Press, 1972.

Spies, Claudio. "Notes on Stravinsky's Variations." In Perspectives on Schoenberg and Stravinsky. 2nd ed., 211-222. Princeton University Press, 1972.

Spies, Claudio. "Some Notes on Stravinsky's Requiem Settings." In Perspectives on Schoenberg and Stravinsky. 2nd ed., 223-249. Princeton University Press, 1972.

Star, Daniel and Robert Morris. "A General Theory of Combinatoriality and the Aggregate." Perspectives of New Music 16:1 (Fall/Winter 1977): 3-35, 16:2 (Spring/Summer 1978): 50-84.

Stravinsky, Vera and Robert Craft. Stravinsky in Pictures and Documents. New York: Simon and Schuster, 1978.

Steinitz, Paul. "On Rehearsing a Choir for the Canticum Sacrum." The Score 19 (March 1957): 56-59.

Straus, Joseph N. Introduction to Post-Tonal Theory. Englewood Cliffs, New Jersey: Prentice-Hall, 1990.

Straus, Joseph N. "A Strategy of Large-Scale Organization in Stravinsky's Twelve-Tone Works." Integral 11 (1997).

Straus, Joseph N. "Stravinsky's `Construction of Twelve Verticals': An Aspect of Harmony in the Serial Music." Music Theory Spectrum 21:1 (Spring 1999): 43-73.

Straus, Joseph N. "Two Mistakes in Stravinsky's Introitus." Mitteilungen der Paul Sacher Siftung 4 (January 1991): 34-36.

Swift, Richard. "Some Aspects of Aggregate Composition." Perspectives of New Music 14:2-15:1 (Spring/Summer and Fall/Winter 1976): 236-48.

Taruskin, Richard. "Chernomor to Kashchei: Harmonic Sorcery; or Stravinsky's Angle." Journal of American Musicological Society 38:1 (1985): 72-142.

Van den Toorn, Pieter. "Metrical Displacement in Stravinsky." Mitteilungen der Paul Sacher Siftung 4 (January 1991): 24-28.

Van den Toorn, Pieter. The Music of Igor Stravinsky. New Haven: Yale University Press, 1983.

Vlad, Roman. Stravinsky. Translated by Frederick and Ann Fuller. London: Oxford University Press, 1960.

White, Eric Walter. "First Performances: Stravinsky's Requiem Canticles." Tempo 79 (Winter 1966-97): 14-15.

White, Eric Walter. Stravinsky: The Composer and his Works. 2nd ed. Berkeley and Los Angeles: University of California Press, 1979.

List of Scores Cited including Publication Information

Abraham and Isaac. Boosey & Hawkes, 1965. B&H 19197.

Agon. Boosey & Hawkes, 1957. B&H. 18336.

Anthem: The dove descending breaks the air. Boosey & Hawkes, 1962. B&H 18998.

Canticum sacrum ad honorem sancti Marci nominis. Boosey & Hawkes, 1956. B&H 18168.

Double Canon: Raoul Dufy in Memoriam. Boosey & Hawkes, 1960. B&H 18706.

Elegy for J. F. K. Boosey & Hawkes, 1964. B&H 19270.

Epitaphium für das Grabmal des Prinzen Max Egon zu Fürstenberg. Boosey & Hawkes, 1959. B & H 18599.

Fanfare for a New Theater. Boosey & Hawkes. B&H 19650.

The Flood. Boosey & Hawkes, 1962. B&H 19057.

Introitus. Boosey & Hawkes, 1965. B&H 19324.

Movements. Boosey & Hawkes, 1960. B&H 18676.

The Owl and the Pussy-Cat. Boosey & Hawkes, 1966. B&H.

Requiem Canticles. Boosey & Hawkes, 1967. B&H 19518.

A Sermon, a Narrative, and a Prayer. Boosey & Hawkes, 1961. B&H 18784.

Threni: id est lamentationes Jeremiae prophetae. Boosey & Hawkes, 1958. B&H 18438.

Variations: Aldous Huxley in memoriam. Boosey & Hawkes, 1965. B&H 19290.

 

This Document is Available for Purchase

Stravinsky's Topology. Doctoral Dissertation. Boulder, CO: University of Colordao, 2000. www.lulu.com/akuster

(C) Copyright 2000 Andrew Kuster. All Rights Reserved.

< Back Stravinsky's Topology Next >