![]() |
|||||||
| Not yet published 2008– 2004–2007 1995–2004 1989–1994
|
|||||||
“Learning to Observe in Chicago,” written for a forthcoming book on observation by Jean Peneff. “Interaction: Some Ideas,” (paper presented at the Université Pierre Mendes-France, Grenoble). “What About Mozart? What About Murder?.” (This paper has been published as "E di Mozart che ne dici? E dell’omicidio?" in Rassegna Italiana di Sociologia, a. XLIV, n. 4, ottobre-dicembre 2003, 483-92. It has not yet been published in English.) “New Directions in the Sociology of Art,” (paper given at the meeting of the European Sociological Association, Section on the Sociology of Art, Paris, April 2003.) “Making Sociology Relevant to Society,” given at the meeting of The European Sociological Association in Murcia, Spain, 2003. “How Much Is Enough?,” given as the Vilhelm Aubert Memorial Lecture, University of Oslo, October 2004. “Interview” (with Nancy D. Campbell about my experiences in drug research). Nancy Campbell interviewed a large number of people who had been involved in research in drugs from the 1960s on for her book Discovering Addiction: The Science and Politics of Substance Abuse Research University of Michigan Press, 2007). She’s made many of these interviews available on line at the site of the Substance abuse Research Center of the University of Michigan. "Preface," Dictionaire de la sociologie (Universalis: Paris, 2008). "Studying Something You Are Part of: The View From the Bandstand," Ethnologie Française, XXXVIII (2008), pp. 15-21. “ASA Convention,” Social Psychology Quarterly, (2007) 4, pp. cover, 1–2. “How we deal with the people we study: ‘The Last Seminar’ revisited,” pp. 26–36 in David Downes, et. al. eds., Crime, Social Control and Human Rights, Cullompton: Willan Publishing, 2007. "The Jazz Repertoire." Enonciation artistique et socialité. Edited by Jean-Philippe Uzel (Harmattan: Paris 2006), pp. 243-51. “The Lay Referral System: The Problem of Professional Power,” Knowledge, Work and Society, (2006) 4, pp. 65–76. “A Dialogue on the Ideas of ‘World’ and ‘Field’ with Alain Pessin,” Sociological Forum, 21 (2006), pp. 275–86. "The Jazz Repertoire," with Robert R. Faulkner, Sociologie de l'art (2005), pp. 15-24. “Hans Ulrich Obrist Interview with Howard Becker,” appears in the catalogue of The Welfare Show, edited by Ariane Beyn, 2005. “Inventer chemin faisant: comment j’ai écrit Les mondes de l’art” (“Making it up as you go along: How I Wrote Art Worlds,”) pp. 57–73 in Daniel Mercure, ed., L’analyse du social: Les modes d’explication, Quebec: Les Presses de l’Université Laval, 2005. “Introduction” to the new Danish and Brazilian editions of Outsiders. “Jazz Places,” pp. 17–27 in Andy Bennett and Richard A. Peterson, eds., Music Scenes: Local, Translocal, and Virtual, Nashville: Vanderbilt University Press, 2004; and in French in Sociologie et Societé, 2004. “Continuity and Change in Howard S. Becker’s Work: An Interview with Howard S. Becker (Interview by Ken Plummer)” Sociological Perspectives 46 (1), pp. 21–39. “Visual Evidence: A Seventh Man, the Specified Generalization, and the Work of the Reader” Visual Studies, (2002) 17, pp. 3–11. “Studying the New Media,” Qualitative Sociology 25 (3), 2002, pp. 337–43. “Drugs: What Are They?” (Published in French as “Les drogues: que sont-elles?,” pp. 11–20 in Howard S. Becker, ed., Qu’est-ce qu’une drogue?, Anglet: Atlantica, 2001). “The Etiquette of Improvisation ,” Mind, Culture, and Activity, 7 (2000), pp. 171–76 and 197–200. “The Chicago School, So-Called,” Qualitative Sociology, 22 (1), 1999, pp. 3–12. “Introduction,” (in French in the original) to Sabine Chalvon Demersay, Le triangle du XIVe, 2nd edition, Paris: Éditions de la Maison des sciences de l’homme, 1998, pp. v–x. “Talks About Teachers,” (with Shirah Hecht), Qualitative Sociology, 20 (1997), pp. 565–79. “Hypertext Fiction,” pp. 67–81 in M. Lourdes Lima dos Santos, Cultura & Economia, Lisbon: Edicões do Instituto de Ciências Sociais, 1995. “Making the Grade Revisited.” This essay appeared as the introduction to a new printing of Howard S. Becker, Blanche Geer, and Everett C. Hughes, Making the Grade: The Academic Side of College Life, Transaction, Inc.: New Brunswick, 1995, pp. xii–xx. “The Power of Inertia,” Qualitative Sociology 18 (1995), pp. 301-309. “Confusion of Values,” originally published in French as “La Confusion de Valeurs,” pp. 11–28 in Pierre-Michel Menger and Jean-Claude Passeron, eds., L’art de la recherche: Melanges, Paris: La Documentation Française, 1994. “Professionalism in Sociology: The Case of C. Wright Mills,” pp. 175–87 in Ray Rist, editor, The Democratic Imagination: Dialogues on the Work of Irving Louis Horowitz, New Brunswick: Transaction Books, 1994. “American Popular Song,” pp. 9–18 in Ton Bevers, ed., Artists—Dealers—Consumers: On the Social World of Art, Hilversum: Verloren, 1994. “Children’s Conceptions of Money: Concepts and Social Organization,” in Social Organization and Social Process, David Maines, ed., Aldine Publishing Co., 1991, pp. 45–57. Some people have shown an interest in my earlier work, so I’ve added a copy of my vita here, which has a pretty complete list with the necessary bibliographical information.
|
|||||||
|
|||||||